He ironically screams “name, rank, serial number” over and over, as desk shrapnel flies into the air. In the film’s best scene, a blind, elderly war veteran (played by Howard Hesseman) trashes the lobby of the Department of Social Welfare with a piece of metal having grown tired of being treated like a statistic. Roth and Shakur are passed around council buildings like rag dolls, with their government making it abundantly clear it doesn’t care for junkies getting clean. But the film’s brutal satire of bureaucracy is where it really shines. “The next day, we went to try and get into rehab and we ended up wandering around from place to place, no one giving us any help.” Gridlock’d is silly at times, with Roth and Shakur’s many hapless run-ins with Blaxploitation-lite villain and drug dealer D’Reper (menacingly played by Curtis-Hall himself), painting their double act like some sort of street-smart Laurel and Hardy. “One day my best friend, our bassist, and I were sitting around and decided that maybe we could actually play better if we weren’t stoned all the time,” he revealed upon the film’s release. Largely autobiographical, director Curtis-Hall – who has never made a better film (he later directed Mariah Carey in Glitter) – based Gridlock’d on his own experiences growing up in Detroit. After being sarcastically told he’s missed a box, he begs for a doctor, only to be told: “I’ll let the bitch die if you speak to me like that.” By the time they finally get Cookie to a hospital, an apathetic worker is more concerned with getting Spoon to fill out forms. He desperately pleads: “There’s a whole bunch of black people shooting and talking about revolution. When Spoon and Stretch call an ambulance, Shakur’s character feels more comfortable lying to the operator. The film focuses on two working-class junkies, Spoon (Tupac Shakur) and Stretch (Tim Roth), who decide to enter a drug rehabilitation programme after their housemate and fellow jazz-cum-poetry bandmate, Cookie (a brilliantly sassy Thandie Newton), overdoses after trying heroin for the first time on New Year’s Eve. Walls and furnishings look soiled grot and grime appear to pour from the screen. Set in Detroit, Gridlock’d shows America in decay. Just nine days after Trump is inaugurated as the 45th President of the United States, Vondie Curtis-Hall’s criminally underrated Gridlock’d turns 20. The film’s mockery of how American healthcare mistreats its weakest, most vulnerable citizens feels more relevant today than ever before. Especially given the President-elect’s determination to dismantle every key aspect of Obama’s Affordable Care Act yes, he really did just recruit staunch ObamaCare and abortion opponent Tom Price to his cabinet. If you’re among America’s poorest citizens, the future of healthcare will seem more than a little precarious right now.
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